This magazine is part of a collection of magazines titled after the men and women of different eras (Showa 40 (1965), Showa 50 (1975)...) that usually showcases artists, creators or famous people of these generations and/or for these generations.
In this volume, the theme was the "Japanese music revolution of 1997". The theme of that volume was presented as such :
"The 1990s, when men of the Showa 50 era spent their youth in Japan, was an era of prosperity for Japanese music. (...) The theme of this issue is "1997 Japanese Music Revolution." Looking back at the hit charts in 1997, the "TK boom" was still alive and well, but R&B, idols, anime songs, TV programs, and indie bands also entered the scene. (...) Also symbolic was the Fuji Rock Festival, which began that year, a space where people could go wild about live music, transcending the boundaries of Japanese and Western music and genres. In short, the extremely natural mindset of "Just listen to what you like!" became the revolution. And we, the editorial staff, declare 1997 to be the year in which this revolution took place. In this issue, we delve into the Japanese music scene of the time with words from artists and people who were excited by this era."
Note:
Although the title of the magazine is Showa 50, this is not Mana's birth year as we do not know his real age. He is from that generation of people who would have been late teenagers in the early 90s, though, and that also had a phenomenal career in 97, which made him a perfect guest for this magazine as he fit the theme.
The Men of Showa 50
The Japanese music revolution of 1997 - The music that resonated with us
The unprecedented Visual Kei boom has struck!
Mana talks about the truth behind the band that surpassed the limits of mainstream.